Choral
Ensembles
The Choral
Department features several performing ensembles. These ensembles
are open to all members of the University community and in fact are
primarily made up of non-music majors from all walks of life.
Concert
Choir
University Chorus
Carolina Alive
The following ensembles offer opportunities for graduate choral
conducting students to conduct:
Graduate
Vocal Ensemble
Chamber Singers
The Concert Choir
is the University's most select choral ensemble. The Concert Choir
achieved international recognition under the late Arpad Darazs; under
Dr. Wyatt's direction the choir continues its tradition of excellence.

In
1987 they performed for the visit of Pope John Paul II, and in 1988
were invited to perform three concerts with the Jerusalem Symphony
under Lawrence Foster, Sergiu Comissiona,and Krystoff Penderecki.
Under Maestro Penderecki they performed his Saint Luke Passion.
In 1990 they traveled to Spain and performed Handel's Messiah in
a series of concerts.
In the spring of 1992
they were one of seventeen university ensembles selected to perform
on the Mozart Bicentennial Mozart in Concert series in Alice Tully
Hall at the Lincoln Center. They followed that performance by a
highly successful presentation of J.S. Bach's Saint John Passion
for the Southern Division Convention of the American Choral Director's
Association. In the summer of 1994 they were the "choir-in-residence"
for the Classical Music Seminar in Eisenstadt, Austria.
In 1998 the choir performed
again on the Southern Division Convention of ACDA. During the summer
they toured Germany and the Czech Republic. The highlight of that
tour was a performance in the Thomas Kirche at Leipzig, the church
served by J.S. Bach during the latter part of his life.
Concert Choir toured
Alabama, Mississippi and Louisiana in the spring of 1999. The high
point of the tour was performing in the St. Louis Cathedral in New
Orleans. Take a look at pictures of other favorite tour moments.
In March of 2000 selected
members of the choir, along with the USC Left Bank Big Band, traveled
to London and Paris to perform The Best of the Sacred Concerts of
Duke Ellington. While on tour they also performed solo concerts
at the cathedrals of Canterbury, Chartres and Notre Dame.
Another highlight of
the 1999-2000 year was the world premiere of William Averitt's St.
Matthew Passion. This epic work, which incorporates Southern Hymnody
in much the same way as Bach incorporated chorales in his passions,
was performed on Good Friday at Columbia's First Presbyterian Church,
in conjunction with the Chancel Choir of First Presbyterian and
the Women's Chorus from the University of North Carolina-Greensboro.
About the Director...Dr.
Larry Wyatt is in his twenty-first year as Director of Choral Studies
at the University of South Carolina. In addition to directing the
Concert Choir, he supervises the master's and doctoral programs
in choral conducting and the Graduate Vocal Ensemble.
Dr. Wyatt holds a Ph.D.
from Florida State University, a master's degree from the University
of North Texas, and a BME from Murray State University. Prior to
coming to USC, he served as Choral Director and Coordinator of the
Vocal Department at Loyola University in New Orleans. While in New
Orleans he founded the New Orleans Symphony Chorus and prepared
them for performances of over forty major works with internationally
recognized conductors. His choirs have been honored with invitations
to perform on several occasions for the American Choral Directors
Association conventions, serving as a "headliner" presenting
the Bach St. John Passion in 1992, and most recently, as the demonstration
choir for the interest session, "Music for Solo Instrument
and Choir." Dr. Wyatt has conducted and served as a clinician in Mexico, Argentina, Bulgaria, and Canada. In February 2002, he conducted Vaughan-Williams' Dona Nobis Pacem in his third engagement at Carnegie hall, and in February of 2005 he conducted Beethoven's Mass in C in the same venue.
In addition to his work at USC, Dr. wyatt is founder and director of Colla Voce, a community chamber ensemble of professional musicians which began in spring 2001. He is active as a clinician, guest conductor and adjudicator,
and has served as President of the Southern Division of the American
Choral Directors Association. He was nominated for the national
presidency of ACDA in 1994, and served as president of South Carolina
ACDA from 1997-1999.
The
University Chorus

The University of South Carolina University Chorus
(Mixed Ensemble), Men's Chorus and Women's Chorus, directed by Carol
Krueger, are open enrollment ensembles. Membership is diverse and
represents a broad diversity of educational pursuits: science, engineering,
humanities, languages and, of course, music. They share an ability
and love for music, especially singing. Noted for its innovative
and versatile programming the choirs pride themselves in singing
challenging and diverse repertoire. Whether singing a classical
motet or a song from American musical theater, the choirs receive
enthusiastic repsonses for their remarkable artistry and distinctive
style. Performances regularly include concerts on campus and the
surrounding communities.
The choirs have joined forces with the USC Concert Choir and USC
Orchestra to perform outstanding choral-orchestral works including
Britten's War Requiem, Verdi's Requiem, Beethoven's Mass in C and
Poulenc's Gloria. In 2005 the University Chorus was honored to sing at the
South Carolina Music Educators Conference in Charleston. In June
2006, singers enrolled in these ensembles toured in Austria and Hungary.
About the director...Carol Krueger is the Associate Director of Choral Studies at the University of South Carolina where she conducts the University Choir, teaches undergraduate and graduate conducting and methods courses, and supervises student teachers. Prior to her appointment at South Carolina, Dr. Krueger held positions at the University of Montevallo and at the University of Miami, and spent more than twenty years as a choral music educator in the public schools in Wisconsin, Pennsylvania, and Florida. A native of Wisconsin, Krueger received her bachelor's degree in Music Education from the University of Wisconsin-Oshkosh and both an MA and DMA in Choral Conducting from the University of Miami.
An active clinician and guest conductor, Krueger has most recently conducted festivals and honor choirs at the collegiate, high school and middle school levels in Tennessee, Alabama, Florida, Washington, Georgia, South Carolina, Kansas, North Dakota, and North Carolina. In December 2005, Dr. Krueger conducted multiple performances of Epcot’s Candlelight Processional and Massed Choir Program.
Widely recognized for her work with music literacy, Krueger has presented interest sessions at the American Choral Directors National Convention in New York, the ACDA Southern Division Convention in Nashville, and the OAKE (Kodaly) National Convention in Charlotte. In addition she has presented interest sessions or workshops in Tennessee, North Dakota, Massachusetts, Maine, Virginia, Georgia, Kansas, Pennsylvania, Florida, Alabama, and South Carolina. Oxford University Press publishes Krueger’s book, Progressive Sight Singing.
Carolina
Alive
Carolina Alive is a vocal jazz ensemble of 12-16 singers chosen by audition. In addition to traditional vocal jazz they sing jazz arrangements of popular tunes. The group performs a cappella, with keyboards, combo and big bands.
The
Graduate Vocal Ensemble
One of the
hallmarks of the master's and doctoral degree programs in choral conducting
at the University of South Carolina is the Graduate Vocal Ensemble.
It is designed to provide a stable ensemble for graduate choral conducting
majors to receive conducting experience and to complete their recital
requirements. The ensemble generally performs two concerts/recitals
per semester. The Graduate Vocal Ensemble is made up of graduate choral
conducting majors, interested graduate voice majors, advanced undergraduate
singers, and other interested persons by permission of the Director
of Choral Studies.
About the Director...
Graduate students who have a scheduled conducting recital during
the current semester direct this ensemble.
Chamber Singers
This chamber vocal ensemble explores the madrigal and secular
song repertoire from the high Renaissance to the mid-Baroque. Formed
in the spring semester of 1999, its size has ranged from 9 to 16 singers.
The ensemble's first
concert included pieces from Orlando di Lasso's Les Melanges des
Chansons and Hans Leo Hassler's Neue Teutsche Gesang, and others
by Giaches de Wert and Gesualdo. Other concerts have featured works
from important collections published at the turn of the 16th and
17th centuries by Josquin des Prez, Heinrich Isaac, Claude Le Jeune,
and Luzzasco Luzzaschi and English, Italian and French works scored
for chorus of sopranos, altos and tenors.
|