JULIE HUBBERT

Associate Professor of Music History
(Affiliate Faculty: Film Studies)
(803) 777-3214

jhubbert@mozart.sc.edu

Education
      Ph.D., Yale University (Musicology)

        M.M., Manhattan School of Music (Piano Performance)

      B.M., University of Southern California (Piano Performance)

Areas of Specialization
      • Film Music
      • 19th-Century Music

      • 20th-Century Music
      • American Music
      • Mahler and the Second Viennese School

Recent Courses

      • FILM 510A - Music and the Hollywood Film

      • MUSC 354 - History of Western Music - 1750 to present

      • MUSC 563 - Romantic Music

      • MUSC 564 - 20th-Century Music
      • MUSC 744 - 20th-Century American Music
      • MUSC 744 - Russian Nationalism

      • MUSC 744 - Mahler and His Contemporaries
      • MUSC 744 - Music about Music
      • MUSC 756 - Music of the Baroque Era
      • MUSC 353 - History of Western Music I: Antiquity through 1700

Research Interets

A central theme that runs through both my teaching and research is a concern for the intertextuality and intermediality of music. My work on music in film stems from a general interest in music and visual culture and the marriage of music, text and image in a variety of 19th- and 20th-century genres—from magic lantern shows, tableau-vivant, opera and program music in the 19th century to silent and sound film genres in the 20th century. My recent research into contemporary auteur film soundtracks in particular considers the narrative implications of spacially fluid and stylistically eclectic soundtracks. I am also interested in how technology since 1960 has influenced the use of pre-existing music in film, how the development of the long-playing record, the music video and the transitions from analog to digital technologies in general haved shaped the style, speed and amount of music in film.

Current Research

Technology and the Post-Classical Soundtrack

HOME