Julie Hubbert , Ph.D., Musicology,
Yale University, 1996.

email: jhubbert@mozart.sc.edu

course descriptions

Curriculem Vitae

Julie Hubbert, an assistant professor of music history at USC since the fall of 1998, completed her undergraduate and master's degrees in piano performance at the University of Southern California and the Manhattan School of Music before finishing her Ph.d in music history at Yale University. Her dissertation, completed in 1996, is entitled "Mahler and Schoenberg: Levels of Influence." Before coming to USC, Dr. Hubbert taught music and ballet history at the Cornish College of the Arts in Seattle.

Dr. Hubbert's area of expertise is 19th and 20th century music and aesthetics. She is particularly interested in the romantic and post-romantic issues of the ontology of the musical work and issues of intertextuality and originality in 20th century music. Her recent research efforts, however, have focused more specifically on film music. In addition to teaching a course on the history of film music, she is at work on a book on film music aesthetics and criticism. She has also begun to study the music and culture of the high Andean and Quechan people of Peru.

Dr. Hubbert has lectured in the U.S., England, Europe and Australia at a variety of scholarly music and film theory conferences. Her first publication, an article on the relationship between Mahler and Freud entitled "Freud and the Problem of Mahler's Quotational Style," is forthcoming in the journal The Musical Quarterly.

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