Curriculum Vitae
Julie Hubbert
jhubbert@mozart.sc.edu
(803) 777-3214
Education
Ph.D., Music History, 1996 Yale University
M.M., Piano Performance, 1989 Manhattan School of Music
B.M., Piano Performance, 1987 University of Southern California
Dissertation
"Mahler and Schoenberg: Levels of Influence"
(May, 1996; Stephen Hinton, advisor)
Teaching Experience
University of South Carolina (Assistant Professor)
Spring, 2000 "History of Western Music II"
(Musc 354) 2 sections
"Music and Film" Honors College Proseminar (Schc 367G)
Fall, 1999 "History of Western Music I" (Musc
353)
"Music in the 20th Century (Musc 564)
"Mahler and His Contemporaries" (Musc 744H)
Spring, 1999 "History of Western Music II"
(Musc 354)
"Music in the Renaissance" (Musc 560)
"20th Century American Music" (Musc 744H)
Fall, 1998 "History of Western Music I" (Musc
353) 2 sections
"Reference and Borrowing in 19th and 20th Century Music" (Music 744H)
Cornish College of the Arts (Visiting Lecturer)
Fall, 1997 "Music for Dancers" (Dance, 133a)
Yale University (Coordinator/Instructor/Assistant)
1995-96 "History of Jazz from 1900 to 1945"
(Music 268a), Teaching Assistant
"History of Western Music: 1750 to the Present" (Music 130b), Teaching
Assistant
1992-94 "Introduction to the Elements of Music" (Music 110a/111b), Coordinator/Instructor
1991-92 "History of Jazz from 1945 to the Present"
(Music 269b), Teaching Assistant
"Elementary Studies in Analysis and Composition I" (Music 210a), Instructor
Teaching and Research Interests
19th/20th-Century Music: Wagner, Mahler, Schoenberg, Ives, Cage, Berio; issues of influence and originality; intertextuality and modes of allusion; Critical Approaches:19th/20th-Century philosophy and aesthetics; literary criticism; Film Music: aesthetics of film music; early Russian cinema; cinema verité movement; American Music: defining "american;" shape-note hymns; early blues and minstrel songs; Copland ballets; Piano: chamber music, accompanying, piano literature
Papers Presented
"Wagner, the Diorama, and the Origins of Film Music"
(Triennial British Musicological Conference, Guildford, England, July 1999)
"Musical McCarthyism: Tiomkin’s High Noon
and Floyd’s Susannah
(Friends of the Museum, Columbia Museum of Fine Art, April, 1999)
"Wagner and the Aesthetic of Silent Film Music"
(AMS–Southeast Chapter Meeting, Chapel Hill, North Carolina, March 1999)
"Wagner and the Aesthetic of Film Music"
(International Wagner Symposium, Adelaide, Australia, November 1998)
"The Changing Aesthetic of Realism in Film Music"
(Visible Evidence IV/Documentary Film Conference, San Francisco, August 1998)
"Mahler, Freud, Ringel and ‘die Österreichische
Seele’ (the Austrian Soul)"
(International College Music Society Conference, Vienna, July 1997)
"Analysis and Theory: Schoenberg’s Answer to
Mahler’s Extramusical Programs"
(British Musicological Conference, London, April, 1996)
Publications
A Film Music Reader, University of California Press (manuscript under consideration)
"Freud and the Problem of Mahler’s Quotational Style," The Musical Quarterly (forthcoming)
Reader’s Guide to Music: History, Theory, Criticism
(Chicago: Fitzroy Dearborn Inc., forthcoming); essays on "Romantic Aesthetics,"
"Schumann’s Aesthetics," "Schumann’s Writings"
and "Borrowing"
An Orchestra for New Haven: The New Haven Symphony Orchestra--Founding
and Early Years
(New Haven: Yale Publications, 1994); 70-page monograph.
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