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Southern Exposure
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Now Ensemble Winner of the Chamber Music America / ASCAP Award for Adventurous Programming, the Southern Exposure New Music Series kicks off its 2010-2011 season with a performance by the acclaimed NOW Ensemble. Hailed by Newsweek Magazine for "striking a balance between the old and the new [that] has rarely sounded this good," NOW features a unique instrumentation of flute, clarinet, electric guitar, |
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double bass, and piano that brings a fresh, exciting sound to the classical tradition. The ensemble's performers are each virtuoso players with distinguished solo careers, and have given recitals in Carnegie Hall, been members of world-class orchestras such as the New York Philharmonic, and have appeared onstage and on recordings with indie rockers like Sufjan Stevens, The National, and Bright Black Morning Light. NOW's Southern Exposure performance includes works by composers Mark Dancigers, Patrick Burke, Alexandra Gardner, and Judd Greenstein, as well as selections from the brilliant multi-media chamber opera, "The Lives and Deaths of Isabelle Eberhardt," conceived by composer Missy Mazzoli and filmmaker Stephen Taylor, with vocals by mezzo-soprano Abigail Fischer. At the work's preview in 2009, the New York Times said "A boisterous crowd filled the space to capacity. The buzz was understandable . . . [It's] a haunting multimedia concert piece . . . [with] melodic lines that slowly stretched and curled over melancholy harmonies and fidgety rhythms, or wafted, ghostlike, within cistern-resonant electronic passages." This is a concert you won't want to miss! So mark your calendars NOW, and please join us for the beginning of a brand new Southern Exposure season.
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Matt Haimovitz and Geoffrey Burleson Southern Exposure New Music Series is honored to present a concert by world renowned cellist Matt Haimovitz and pianist Geoffrey Burleson. Known as a musical pioneer and one of the world's greatest living cellists, Haimovitz is acclaimed for his visionary approach, groundbreaking collaborations, and innovative recording projects, which he combines with a tireless touring schedule and with mentoring an award-winning studio at McGill University in Montreal. Haimovitz made his debut |
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The Music Of Igor Stravinsky Chamber Innovista and Southern Exposure join forces to present masterworks by the great Russian composer Igor Stravinsky, in an incredible evening of music, theater, and dance. Featuring the talents of faculty members and students from USC’s School of Music as well as the Department of Theatre and Dance, the concert focuses on several of Stravinsky’s most beloved works. We’ll begin with the brief “Fanfare for a New Theater,” performed by James Ackley and Stephen Rushing, trumpets, followed by excerpts from Stravinsky’s ballet “Petrushka” in an |
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arrangement for two pianos by the composer, performed by pianists Marina Lomazov and Joseph Rackers. Stravinsky’s neoclassic “Octet” ends the first half, with Jennifer Parker-Harley, flute; Joseph Eller, clarinet; Peter Kolkay and Michael Harley, bassoons; James Ackley and Stephen Rushing, trumpets; Brad Edwards and Colt Campbell, trombones; conducted by Rebecca Phillips. After intermission, we’ll conclude the concert with a semi-staged version of Stravinsky’s masterpiece “A Soldier’s Tale,” performed by William Terwilliger, violin; Joseph Eller, clarinet; Peter Kolkay, bassoon; James Ackley, trumpet; Brad Edwards, trombone; Craig Butterfield, double bass; Scott Herring, percussion; conducted by Rebecca Phillips; with special guest artists Jacob Will as The Narrator, Victor Holtcamp as The Soldier, Robert Richmond as The Devil, and Ashley Johannsen as The Princess. |
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Jack Quartet The Southern Exposure New Music Series finishes its 2010-2011 season in grand style with a performance by the incredible JACK Quartet, hailed by the New York Times for performances that are "brilliant...viscerally exciting... |
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[and] a tour de force of intensity and color," and by the Philadelphia Inquirer as "perhaps the single most intrepidly experimental quartet on the horizon...among the most stimulating new-music concerts of my experience. "The quartet's recording of composer Iannis Xenakis's complete string quartets was included in the "Best of 2009" lists by the Los Angeles Times, Boston Globe, New Yorker Magazine, and National Public Radio. And their Southern Exposure performance features not only Xenakis's masterpiece "Tetras," but new works by Julia Wolfe, Caleb Burhans, and Hannah Lash, as well as an arrangement of Renaissance composer Don Carlo Gesualdo's "Love Lost and Found," performed in its original tuning.
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The 2009-10 Season
Real Quiet
Friday, October 2, 2009An ensemble dedicated to hard-edged acoustic and electric music that often blurs the borders between classical, pop, and alternative genres, Real Quiet is percussionist David Cossin, cellist Felix Fan, and pianist Andrew Russo. The program features the music of guest composer Marc Mellits,
as well as works by Annie Gosfield, Phil Kline, and Lou Harrison.
See also: Columbia Free Times
Real Quiet will read compositions by USC student composers Thursday, October 1, from 7 - 9 p.m. in R011, and Marc Mellits will give a public talk at the USC School of Music (R210) Friday, October 2, 2:30-4 p.m.
| Wu Man, pipa virtuoso World renowned pipa virtuoso Wu Man performs works from the traditional pipa repertoire, as well as contemporary works by herself and composers from China and Kyrgyzstan. See also: Columbia Free Times and USC Times (pdf) |
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Wu Man will give a public talk in the USC School of Music Recital Hall Wednesday, November 11, 2009. This event is sponsored by the Carolina Institute for Leadership |
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Los Angeles Piano Quartet
with special guest composer Steven StuckyFriday, April 16, 2010
The Los Angeles Piano Quartet presents an evening of contemporary music featuring the music of special guest composer Steven Stucky, winner of the 2005 Pulitzer Prize in Music for his Second Concerto for Orchestra.
Steven Stuckey will give a public talk at the USC School of Music (R210), Friday, April 16, 2:30-4 p.m.
The 2008-09 Season
International Contemporary Ensemble
Saturday, October 4, 2008"The International Contemporary Ensemble (ICE) performs landmark works of the previous century, including John Cage’s 'Credo in US,' a wild sonic ride for percussion, electric buzzers, and FM radio; George Crumb’s lyrical 'Vox Balaenae' (“Voice of the Whale”); and Sir Peter Maxwell Davies’ theatrical masterpiece, 'Eight Songs for a Mad King,' complete with video projections." (USC Times)
ICE will give a public talk on Sunday, Oct. 5, 2:00 p.m. at the USC School of Music (R210) and ICE will read works by student composers from 11 a.m. - 12:30 p.m. in R011.
Phillip Bush, pianist Internationally renowned pianist Phillip Bush gives a solo recital featuring music by Luciano Berio, Kenneth Frazelle, Philip Glass, Toshi Ichiyanagi, Olivier Messiaen, Toru Takemitsu, and John Zorn. See also: USC Times ~ Columbia Free Times |
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Music from Copland House Music from Copland House features clarinetist Dereck Bermel, pianist Michael Boriskin, cellist Wilhelmina Smith, and guest violinist Adela Pena perfoming Copland's “Two Pieces" for violin and piano,” Sebastian Currier's "Verge," Derek Bermel's "SchiZm" for clarinet and piano and "Thracian Sketches" for solo clarinet, and works by Pierre Jalbert and John Mackey. See also: USC Times |
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Composer Derek Bermel will give a public pre-concert talk at the USC School of Music (R210), 5:30-6:30 p.m. |
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The 2007-2008 Season
Amernet String Quartet
Saturday, September 29, 2007Amernet String Quartet from Miami, featuring USC School of Music faculty member Peter Kolkay, bassoon, in works by Bartok, Carter, Hoffman, and Platt. In attendance will be guest composers Joel Hoffman and Russell Platt.
Platt will give a public talk Friday, Sept. 28, 2:30 p.m., USC School of Music, R210. Hoffman will give a public talk Saturday, Sept. 29, 3:00 p.m., USC School of Music, R210.
| Music from
Russia Featuring USC School of Music faculty and guests from the Charleston Symphony, in works by Schnittke, Gubaidulina, Shchedrin, and a world premiere by |
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USC composer and Southern Exposure artistic director John Fitz Rogers. |
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The Threepenny Opera by Kurt Weill and Bertolt Brecht
Saturday-Sunday, February 9-10, 2008USC Opera, under the direction of Ellen Douglas Schlaefer, and Southern Exposure, under the direction of John Fitz Rogers present The Threepenny Opera, a revolutionary work of musical theatre adapted from an 18th century English ballad opera, John Gay's The Beggar's Opera, by German dramatist Bertolt Brecht and composer Kurt Weill, in collaboration with translator Elisabeth Hauptmann.
Gamelan Galak Tika
Saturday, March 29, 2008
Gamelan Galak Tika is a Balinese percussion orchestra based in Boston, under the direction of Evan Ziporyn. Jointly sponsored by Southern Exposure, the Walker Institute at USC, and the Arts Institute at USC, as part of Asian Arts Week.
Ziporyn will give a public talk Friday, March 28, 2:30 p.m., USC School of Music, R210.
Lecture/Workshop with gamelan and legendary Balinese dancer and scholar I Made Bandem Saturday, March 29, 1:00-2:30 p.m., USC School of Music, R206.
The 2006-2007 Season
So Percussion
Thursday, April 5, 2007The New York-based quartet So Percussion first electrified Columbia audiences in 2004 with their energy and jaw-dropping precision.
Since then, their concerts and recordings have been praised by The New York Times as "brilliant" and by Billboard Magazine as "astonishing."
Now the group is back to perform in the final 2006-07 concert of the Southern Exposure New Music Series. This year, So Percussion will be in residence at the School of Music for nearly a week, coaching, rehearsing, and performing together with the USC Percussion Ensemble under the direction of assistant professor of percussion Scott Herring. The two ensembles will combine to perform Drumming, Steve Reich's rarely heard 75-minute masterpiece from 1971.
Exposed Wiring III
Thursday, February 1, 2007Composer Paul Lansky and Seattle-based guitarist Michael Nicolella will be our guests for an exciting evening of music for solo classical and electric guitars, electronics, multimedia, and more.
Works by Lansky will include his Bang on a Can arrangement of A is For, Dancetracks for electric guitar and tape, selections from Semi-Suite for solo guitar, and a new composition for solo laptop. Works by Reginald Bain, Jimi Hendrix, Dennis Miller, and Michael Nicollela will also be featured.
Lansky will give a public talk Friday, Feb. 2, 2:30 p.m., USC School of Music, R210.
New Century Saxophone Quartet
November 11, 2006The New Century Saxophone Quartet, well known for its dynamic and versatile style of performance, is internationally renowned, having played in venues ranging from Carnegie Hall to the White House and major music halls throughout Europe. It is the first ensemble of its kind to win First Prize of the Concert Artists Guild Competition. Highlights will include the premiere of Revolutionary Etudes, written by composer David Lang and co-commissioned by Southern Exposure, and the American premiere of Dutch composer Jacob ter Veldhuis's Heartbreakers, a multi-media arrangement for saxophone quartet that uses
both text and audio from various talk shows combined with DVD projections. In addition to the premieres, the New Century Saxophone Quartet will perform selections from J.S. Bach's "Art of the Fugue," as well as works composed for the quartet by Ben Johnston and the School of Music's own John Fitz Rogers.
Ter Veldhuis will give a public talk Friday, Nov. 10, 2:30 p.m., USC School of Music, R210.
New York Lyric Chamber Players
October 7, 2006The New York Lyric Chamber Players are known for their virtuosity and dynamic style. Fanfare Magazine describes the young ensemble as "vigorous, searing with intensity, and meticulously accurate."
The concert will feature French composer Olivier Messiaen's masterpiece, Quartet for the End of Time. Messiaen wrote the composition in 1940 as a prisoner of war in a Nazi camp, and it premiered a year later before 5,000 of his fellow prisoners. The program also will feature a recent work by American composer Peter Schickele, who is sometimes known as P.D.Q. Bach.
The 2005-2006 Season
Spring Fever, April 13, 2006
We celebrate the world-class talents of our USC faculty and local musicians, including pianists Phillip Bush, Lynn Kompass, Marina Lomazov, and Joseph Rackers, and percussionists Greg Apple and Scott Herring in performances of music by John Adams and Mary Ellen Childs, and featuring Bartók's "Sonata for Two Pianos and Percussion" and Stravinsky's two-piano arrangement of his "The Rite of Spring."
Alarm Will Sound, January 29, 2006
Hailed by the New York Times as "brilliant" and "the future of classical music," the dynamic and virtuosic young orchestra Alarm Will Sound is a 20-member band committed to innovative performances and recordings of today's music.
Music from India, November 19, 2005
The Southern Exposure New Music Series kicks off its 2005-2006 season with a tour-de-force concert of Indian classical music by acclaimed sitar virtuoso Kartik Seshadri, accompanied by Arup Chattopadhyay on tabla.
The 2004-2005 Season
Exposed Wiring II: Music of Humans & Machines (April 5, 2005)
The Southern Exposure New Music Series and USC Computer Music Concert combine forces once again to present a unique evening of music and technology. Ranging from the ethereal, high-tech music of Kaija Saariaho's "Lonh," for solo soprano, interactive computer, and electronics, to Iannis Xenakis's tour-de-force percussion masterpiece, "Rebonds," this concert celebrates the range and possibilities of music technology. Other works include Carl Vine's haunting "Inner World" for solo cello and electronic sound, Edmund Campion's lyrical "Corail" for tenor saxophone and interactive electronics, and "Once Removed" for two marimbas and "click tracks," composed by USC's own John Fitz Rogers. Please join guest artists Cameron Britt, Susan Fancher, Scott Herring, Serena Hill, and Norbert Lewandowski for what promises to be an electrifying musical event.
The World of Charles Ives (March 3, 2005)
Perhaps America's most important classical composer, Charles Ives wrote music of incredible grace, ferocity, humor, and beauty. Although most of his music dates from the early 1900s, his legacy still challenges and delights performers and audiences alike. The Southern Exposure New Music Series features his work in a concert that opens with a sampling of his many wonderful songs, performed by USC School of Music faculty members Helen Tintes-Schuermann, Jacob Will, and Lynn Kompass. The second half of the concert is devoted entirely to Ives's incredible magnum opus for solo piano, "The Concord Sonata," performed by Columbia's newest piano phenomenon, Philip Bush. Please join us for a musical journey unlike any other.
So Percussion (November 22, 2004)
The Southern Exposure New Music Series proudly presents the dynamic So Percussion ensemble from New York City. Hailed as "consistently impressive" by the New York Times, the quartet has already made a name for itself as one of the most exciting young ensembles in the country. Recent appearances include the Ban on a Can Marathon, Brooklyn Academy of Music Next Wave Festival, Cleveland Museum of Art, Miller Theatre, and Merkin Hall, among many others. So Percussion also actively commissions new work by important American composers. Their Southern Exposure concert will feature David Lang's groundbreaking "the so-called laws of nature," written for the ensemble in 2002, as well as music by Dennis DeSantis, Suzanne Farrin, Steve Reich, and Melanie Schoenberg. Please join us for an unforgettable evening of music.
The 2003-2004 Season
Marina & Friends (April 25, 2004)
The Southern Exposure New Music Series and pianist Marina Lomazov combine forces to present this season's final and very special afternoon concert. Guest artists Douglas Graham, Constance Lane, Norbert Lewandowski, Joseph Rackers, and William Terwilliger join Marina Lomazov on stage for performance of John Adams's joyful and rhythmic Hallelujah Junction, George Crumbs's eerily beautiful Eleven Echoes of Autumn, and guest composer's Pierre Jalbert's deeply moving Piano Trio. Jalbert, composer-in-residence with the Los Angeles Chamber Orchestra and 2001 winner of the BBC's prestigious Masterprize, will also give a pre-concert talk about his music at 1:30 p.m. Please join us for this Southern Exposure season's unforgettable finale!
Modern Masters II (March 19, 2004)
with special guest artist Claude Baker, ComposerThe Southern Exposure New Music series presents and evening of great lyrical beauty and sparkling musical color. We will feature the music of guest artist Claude Baker, one of America's most distinguished and important composers, and former composer-in-residence with the Saint Louis Symphony. The Southern Exposure New Music Ensemble, guest artists Seung-Ah Kim, Stephen Beall, and Julie Licata, and USC School of Music faculty members Helen Tintes-Schuermann, Ronald Davis, and John Fitz Rogers perform works by Baker as well as Jennifer Higdon's lovely song cycle "Bentley Roses," and Pulitzer Prize winner Ellen Taaffe Zwilich's haunting "Chamber Symphony."
Ensemble X (January 18, 2004)
The Southern Exposure New Music Series presents a concert by Ensemble X, the remarkable ensemble-in-residence at Cornell University and Ithaca College. Formed in 1997 by a group of virtuoso performers who share a passionate commitment to contemporary classical music, Ensemble X has gained national notoriety through concerts at New York's Merkin Hall and Weill Recital Hall, as well as regional premieres of works by major composers such as John Adams and Christopher Rouse. Joining them for the concert is South Carolina's own Ambassador Duo, performing works by Ades, Hartke, Stucky, Takemitsu, and visiting composer James Matheson, hailed as "one of the brightest lights in the emerging new generation of American composers."
Michael Nicolella: New works for solo classical and electrical guitar (November 14, 2003)
With a repertoire that spans from J.S. Bach to Jimi Hendrix, Seattle-based Michael Nicolella is recognized as one of America's most innovative classical and electric guitar virtuosi. A uniquely eclectic and versatile artist, Nicolella blurs the lines between musical styles and disciplines, and is part of a growing trend in classical music to revitalize the role of the composer/performer. Nicolella brings his artistry to the Southern Exposure New Music series in a solo performance that includes works for both classical and electric guitar by Astor Piazzolla, Manuel Ponce, Steve Reich, Elliot Carter, and Lou Harrison, as well as Louis Andriessen's driving "Hout," for tenor sax, piano, percussion, and electric guitar.
The 2002-2003 Season
A Strange Quiet: The Art and Music of Rothko & Feldman (April 29, 2003)
When the American composer Morton Feldman wrote his haunting and serene masterpiece "Rothko Chapel" in 1971, he was directly inspired by the incredible paintings of artist Mark Rothko. This evening we will explore the relationship between Feldman's music and Rothko's art through words, images, and performance. Beginning at 6:30 p.m. in the School of Music Recital Hall, conductor Britt Cooper will discuss his role in performing and conducting "Rothko Chapel." Then at 7:30 p.m. USC Assistant Professor of Art, David Voros, and Assistant Professor of Composition, John Fitz Rogers will present short talks on Rothko and Feldman, followed by a performance of "Rothko Chapel" with Britt Cooper and the USC Graduate Vocal Ensemble. Please join us for an unusual evening of art and music, and an unforgettable performance of Feldman's stunning work.
Exposed Wiring I (April 8, 2003)
The Southern Exposure New Music Series and USC Computer Music Concert combine forces to present a unique evening of music and technology. Ranging from ethereal, high-tech music of Kaija Saariaho's "Noa Noa," for solo flute, interactive computer, and electronics, to Jacob terVeldhuis's low-tech, gritty work, "Pitch Black," for saxophone quartet and boombox, this concert celebrates the range of musical possibilities between human and machine. Other works include guest composer Scott Lindroth's incredible "Bell Plates," for percussion and electronic sound, as well as the amazing Pi-inspired work, "Degrees of Accuracy," for solo trombone and electronic string sounds composed by USC's own Reginald Bain. Please join the members of the Southern Exposure New Music Ensemble, as well as guest artists Cameron Britt, Brad Edwards, and Rebecca Nagel for what promises to be an electrifying musical event!
The Ciompi String Quartet (January 30, 2003)
The world renown Ciompi String Quartet comes to USC's School of Music for what promises to be a rare and unforgettable beveling. Artists-in-residence at Duke University, and hailed by The Cleveland Plain Dealer for "music-making of remarkable poise and control," the quartet will perform Bela Bartok's legendary String Quartet No. 6 and Ben Johnston's haunting String Quartet No. 4 ("Amazing Grace"), as well as contemporary masterworks by Carolina composers Scott Lindroth and Nathaniel Stookey. Don't miss this tour-de-force concert by one of America's most important ensembles.
Autumn Color (November 22, 2002)
Please join us for an evening of dazzling musical color! From the meditate, deeply hued works of Olivier Messiaen and Arvo Part, to the brilliant and virtuosic music of Joan Tower, Leigh Howard Stevens, and visiting guest composer Stacy Garrop, this autumn concert of contemporary classical works promises rich musical color.
The 2001-2002 Season
The Sound and the Fury (March 27, 2002)
with special guest artists The Furious BandA concert of cutting edge contemporary music by one of New York's finest young ensembles, featuring works influence by pop, jazz, hip hop and folk music as well as a world premiere by USC Assistant Professor of Composition John Fitz Rogers.
Re-made in America (February 19, 2002)
A concert of American music with a global reach. Please join us for a hard-hitting evening of percussion works by American composers whose influences range from the music of Java to French Impressionism to the mechanistic sounds of modern urban life.
Modern Masters (November 30, 2001)
with special guest artists Lisa Moore and Martin BresnickNew York based and internationally acclaimed pianist Lisa Moore brings her stunning multimedia recital to USC's School of Music. Joining her is one of the world finest and most influential composers, Martin Bresnick, in a tour-de-force concert featuring works by Ligeti, Rzewski, and Bresnick.
Minimal(ist) Exposure (October 11, 2001)
Mix one part 1960s neo-hippie minimalist music (Terry Riley's "In C"), one part West African-inspired percussion music (Steve Reich's "Nagoya Marimbas"), and two parts hard driving, old fashioned American rock-n-roll with a groove (David Lang's "Cheating, Lying, Stealing" and Michael Torke's "The Yellow Pages"). Shake briskly. Classical music with a twist.
Inaugural Concert
Extreme Piano: Music for One, Two, and Six Pianos! (March 30, 2001)
A gala evening celebrating USC's new Southern Exposure New Music Series and Ensemble with special guest artists Xak Bjerken, pianist, and Carlos Sanchez-Gutierrez, composer. The will include Sophia Gubaidulina's Chaconne, Gyorgy Kurtag's Games, Carlos Sanchez-Gutierrez's Calacas y Palomas, Olivier Messiaen's "The Kiss of the Christ Child" from Vingt Regards sur l'Enfant-Jesus and Steve Reich's Six Pianos.
Updated: January 26, 2012 by RB
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