JAZZ THEORY
- Jazz Theory I & II (MUSC319-320)
Introduction to the basic language of jazz improvisation: including
rhythm, articulations, style considerations, major and minor harmonic
systems, forms, harmonic substitutions, simple analysis, chord/scale
relationships, ear training in the jazz language, and keyboard
harmony.
(Syllabus for MUSC319)
(Syllabus for MUSC320)
Solo from Theory Class, April 2, 2010
Or, if you prefer, a pdf file in treble clef or bass clef.
THEORY ASSIGNMENTS
Jazz Theory I: Melodic Rhythm Assignment ["FLY"]
Jazz Theory I: Triadic Generalization Assignment
Jazz Theory I: Triadic Blues. Basic Triad shape used as framework for developing longer lines. This is one shown on the board January, 2012.
Jazz Theory I: Outline Assignment 2010
Jazz Theory I: Outline Assignment 2010 solved. (obviously, you should do it first, check it later.)
- Graduate Theory (MUSC713) An advanced class exploring
specific jazz theory topics and with an in-depth analysis of selected
artists and styles.
BLUES: SIMPLIFIED
JAZZ IMPROVISATION
Trying to get a grip on the changes.
What's wrong with this picture?
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APPLIED JAZZ LESSONS
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Applied Jazz These classes are open to students who have
completed Jazz Theory I & II and
Jazz Improvisation I - IV with a grade of B or better, and
two years of applied lessons on their primary instrument. One
on one instruction in the area of jazz improvisation, development
of technique, transcribing skills, determining ways for the student
to self-direct their development as jazz artists are part of the
curriculum.
JAZZ ARRANGING and COMPOSITION
- Studio Arranging (MUSC520) Prerequisite - Jazz
Theory I & II) Concentration on developing compositional
and orchestration/arranging skills in various jazz and commercial
styles. Students write for the jazz combos and big bands. A
section is devoted to writing Radio/TV commercials.
- Advanced Studio Arranging (MUSC714) Prerequisite -
Studio Arranging) Concentration on developing compositional
and orchestration/arranging skills in various jazz and commercial
styles. Students write for the jazz combos and big bands. A
section is devoted to writing Radio/TV commercials.
- Jazz Composition (MUSC516 and MUSC 716)
Phone: 803.777.6565/803.777.4280
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USC JAZZ COURSES
USC Jazz Degrees
Jazz Theory
Jazz Improvisation I - IV
Applied Jazz
Jazz Arranging and Composition
USC BULLETIN:
School of Music: Undergraduate
Classes
School of Music: Graduate Classes
Jazz Improvisation and Jazz Theory Examples
and Handouts
Possible Four Year Plan
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