PIANO
PEDAGOGY
FORUM

v. 10, No. 1/January 1, 2007



Grace Huang received her DMA and MM in Piano Performance from the University of Minnesota and her BM in Piano Performance from Vanderbilt University. Solo and collaborative performances have taken her throughout the United States as well as to festivals such as Aspen, Madeline Island, Eastern, and Hampden-Sydney. She is an active adjudicator and clinician, and recently published an article in the fall issue of Georgia Music News. She previously taught on the faculties of St. Cloud State University, St. Joseph's School of Music (Minnesota), and the University of Georgia, where she served as Class Piano Coordinator.

Grace Huang
School of Music
Millikin University
Decatur, IL 62522
217.424.3710
ghuang@millikin.edu


Conference Presentation: "Working Together to Learn: Cooperative Learning in the Group Piano Classroom"
Alejandro Cremaschi and Christopher Fisher, presenters

by Grace Huang

Presenters Alejandro Cremaschi (University of Colorado-Boulder) and Christopher Fisher (Ohio University) discussed essential principles of the cooperative learning approach and its application to the field of group piano teaching. Drs. Cremaschi and Fisher, who have utilized cooperative learning extensively in their own teaching, shared their research findings and provided numerous ideas for creative application in any group piano setting, for students at any level.

Cooperative Learning Defined

Developed in the 1970s and 1980s by educational theorists David and Roger Johnson (University of Minnesota), Spencer Kagan (University of California), and Robert Slavin (Johns Hopkins), cooperative learning can be defined as "the instructional use of small groups so that students work together to maximize their own and each other's learning" (Johnson, Johnson, and Holubec). Students are actively involved in every stage of the learning process, whether through collectively discovering concepts and principles, participating in research and teaching, or drilling and reviewing material. The instructor's role is transformed into one of facilitator and moderator.

Benefits of the cooperative learning approach were highlighted:

The presenters showed further proof of the latter by displaying the Learning Pyramid, which reports the average retention rates from various methods of teaching. Lectures resulted in a 5 percent rate of retention. Audio and Visual Aids increased student retention rate to 20 percent; Demonstration resulted in a 30 percent rate. Immediate Use of Learning (when students were asked to apply what they had just learned by teaching it to others) resulted in a 90 percent retention rate.

The Successful Cooperative Learning Activity
Cremaschi emphasized five important elements necessary in creating an effective cooperative learning activity:

  1. Face-to-face interaction: students must have the opportunity to interact with each other, whether through discussion, listening, or teaching each other.
  2. Cooperative skills: students should develop skills such as dealing with multiple viewpoints and accepting and giving constructive criticism.
  3. Group interdependence: students must realize that they need each other in order to complete the task. The instructor-s responsibility is to ensure that students share common responsibilities and goals and may choose to assign students specific roles within the group as well as provide the possibility of joint rewards.
  4. Individual accountability: in a group setting, it is still necessary to insure that individual work is done. Teachers should frequently assess students on an individual basis, at random times.
  5. Group processing and self-evaluation: the students are autonomous; at the end they must evaluate their own work (both the process and end result) and evaluate how well they worked together.

Cooperative Learning Structures
Some important cooperative learning structures for use in the classroom were described:

A Few Specific Applications of Cooperative Learning Techniques for Group Piano
Several effective cooperative learning activities in group piano were illustrated, either through video clips of group piano classes in action or through active participant involvement. These activities are based on the structures described above.

Several detailed handouts were provided which contained further applications of cooperative learning techniques to group piano teaching, group project ideas, and a comprehensive list of resources. Resources included literature on cooperative learning theory, technique, and its application to the classroom, written by Johnson and Johnson, Kagan, Slavin, Sharan, Kaplan, as well as Drs. Cremaschi and Fisher themselves.


TABLE OF CONTENTS

© 2007 University of South Carolina School of Music