Spring 2012
Faculty Supervisor: Dr. Reginald Bain, R227, 7-8183, rbain@mozart.sc.edu
Instructors: Mr. Andrew Allen, Mr. Xavier Carteret, Mr. Matthew Fink, Mr. Dan Kreider and Ms. Ruby Wang
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O U R S E M O D U L E S |
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| 1. | Harmonic Function (K/P Ch. 7) |
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| 2. | Species Counterpoint | |
Part Writing Using Triads (K/P Ch. 8-9) |
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| 4. | Phrase Structure Analysis (K/P Ch. 10) | |
| 5. | Nonchord Tones (K/P Ch. 11-12) | |
| 6. | Part Writing Using Seventh Chords (K/P Ch. 13-15) | |
"Voice leading...may be defined as the ways in which chords are produced
by the motions of individual musical lines." (K/P 73)
Feb. 12: Lesson plans 16-18 are now available.
CYOW - Check Your Own Work Assignment
A 2-hour comprehensive final exam will be administered at the university-scheduled exam time.
Benjamin, Thomas, Michael Horvit, and Robert Nelson. Techniques and Materials of Music, 7th ed. New York: Schirmer, 2008.
Burkhart, Charles and William Rothstein. Anthology for Musical Analysis, Postmodern Update. New York: Schirmer, 2007.
Clendinning, Jane Piper and Elizabeth West Marvin. The Musician's Guide to Theory and Analysis. New York: Norton, 2004. See also 2/e.
Gauldin, Robert. Harmonic Practice in Tonal Music, 2nd ed. New York: Norton, 2004.
Henry, Earl and Michael Rogers. Tonality and Design in Music Theory, Vol. 1. Upper Saddle River, NJ: Prentice Hall, 2004.
Kostka, Stefan and Dorothy Payne. Tonal Harmony: With An Introduction to Twentieth-Century Music, 6th ed. New York: McGraw-Hill, 2008.
Laitz, Steven. The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 2nd ed. New York: Oxford, 2008. See also 3/e.
Ralph Turek, Analytical Anthology of Music, 2nd ed. New York: McGraw Hill, 1992.
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Reginald Bain | University
of South Carolina | School of Music | Theory Program
http://www.music.sc.edu/fs/bain/vc/musc116/